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IELTS Academic Reading Practice Test 35

Part 1 · Read the text and answer questions 1–13

You should spend about 20 minutes on Questions 1–13, which are based on Reading Passage 1 below.

Fixing the Image

For centuries before photography existed, artists made use of a device called the camera obscura. In its simplest form it was a darkened room or box with a small opening, through which light entered to project an upside-down image of the outside world onto the opposite wall. By the eighteenth century portable versions fitted with lenses were widely used as an aid to drawing, since an artist could trace the projected outlines onto paper.

What nobody could do was make the image permanent. It had long been known that certain silver compounds darken when exposed to light, and around 1800 the Englishman Thomas Wedgwood succeeded in producing faint images on paper treated with silver nitrate. He could not, however, stop the process: when his pictures were viewed in daylight, the rest of the paper darkened too, and the images disappeared.

The first lasting image made with a camera was produced by a French inventor, Nicéphore Niépce. Rather than silver, Niépce used bitumen of Judea, a natural form of asphalt that hardens when exposed to light. He coated a pewter plate with the bitumen, placed it in a camera aimed through an upstairs window of his country house, and left it exposed. Afterwards, the parts that had not hardened were washed away with a solvent, leaving a crude image of buildings and rooftops. This picture, usually dated to 1826 or 1827, is the oldest surviving photograph taken with a camera. Its exposure is traditionally estimated at around eight hours, though some researchers who have recreated Niépce's methods believe it may have lasted several days.

In 1829 Niépce formed a partnership with Louis Daguerre, a Parisian painter who had become famous as the creator of the Diorama, a theatrical display of huge illuminated paintings. Niépce died in 1833, but Daguerre continued the work and made a crucial discovery. He found that a plate of silver-plated copper, made sensitive to light by exposure to iodine vapour, recorded an invisible image after a comparatively short exposure, and that this hidden image could then be made visible, or developed, using mercury vapour. This reduced exposure times from many hours to a matter of minutes. The image was then fixed in a solution of common salt, and later in a chemical recommended by the English scientist John Herschel, which proved far more effective.

Daguerre's process was announced in Paris in January 1839, and later that year the French government acquired the rights to it, granting Daguerre a pension for life and presenting the details to the public. The daguerreotype caused a sensation. Its images were astonishingly detailed, recording individual bricks and leaves with a precision no painter could match. They had drawbacks, however. The mirror-like surface had to be held at an angle to be seen properly, and each plate was unique: there was no way to make copies. Early exposures were also too long for portraits, but improvements in lenses and chemistry soon reduced them, and by the early 1840s portrait studios were opening in cities across Europe and North America.

Across the Channel, the English scholar William Henry Fox Talbot had been working independently along quite different lines. Talbot used ordinary writing paper soaked in salt and silver nitrate, and in 1835 he made a small image of a latticed window in his home, Lacock Abbey, which is the oldest surviving photographic negative. On paper, light areas of the scene appeared dark and dark areas light. Talbot realised that by placing this negative over a second sheet of sensitive paper and exposing it to light, he could produce a positive print, and that he could repeat the process as many times as he wished. In 1840 he too discovered how to develop a latent image, and he patented his improved process, the calotype, the following year.

The calotype's images were softer than daguerreotypes, because the fibres of the paper blurred fine detail, and Talbot's patents discouraged many potential users. Yet the principle of the negative, from which many identical prints could be made, would shape photography for the next century and a half. Between 1844 and 1846 Talbot published The Pencil of Nature, the first commercially published book to be illustrated with photographs.

The two approaches were effectively combined in 1851, when another Englishman, Frederick Scott Archer, published a process in which glass plates were coated with collodion, a sticky solution in which light-sensitive chemicals could be held. Glass produced negatives as sharp as a daguerreotype, while still allowing unlimited prints, and exposures fell to a few seconds. The plates, however, had to be coated, exposed and developed while still wet, so photographers working away from a studio needed to carry portable darkrooms in the form of tents or horse-drawn vans. Archer chose not to patent his invention, and it dominated photography for some thirty years, although he himself earned almost nothing from it.

The final step towards popular photography came with factory-made dry plates and, eventually, flexible film. In 1888 the American businessman George Eastman introduced the Kodak camera, which was sold already loaded with a roll of film long enough for a hundred pictures. When the film was finished, the owner sent the entire camera back to the company, which developed and printed the photographs and returned the camera reloaded. The advertising slogan 'You press the button, we do the rest' summed up the change: photography had become something that anyone could do.

Tip: select any text in the passage to highlight it in one of four colours. Click a highlight to remove it.

Questions 1–7◎ Practise this set only

Complete the notes below. Choose ONE WORD ONLY from the passage for each answer.

Write ONE WORD ONLY for each answer.

Early photographic processes

Niépce
  • a plate made of was coated with bitumen
  • unhardened bitumen was removed with a
Daguerreotype
  • a silver-plated copper plate was made light-sensitive with vapour
  • the image was developed using vapour
  • every image was and could not be copied
Calotype
  • produced a paper from which any number of prints could be made
Wet collodion
  • photographers outside the studio had to take portable with them

Questions 8–13◎ Practise this set only

Do the following statements agree with the information given in Reading Passage 1? Choose TRUE if the statement agrees with the information, FALSE if the statement contradicts the information, or NOT GIVEN if there is no information on this.

Artists used the camera obscura to help them make drawings.
Wedgwood found a way to stop his images from disappearing.
Niépce and Daguerre were introduced to each other by a scientist.
Daguerre's discovery greatly shortened the time needed to expose a plate.
Calotypes showed fine detail more clearly than daguerreotypes.
The first Kodak camera cost more than most other cameras of its time.

About this reading test

A full IELTS Academic Reading practice test with 40 questions on three original passages: the inventors of early photography, the extraordinary metabolism of hummingbirds, and how societies can reduce food waste. Includes note completion, timer, band estimate and explanations.

PartPassageQuestionsQuestion typesTopicsWords
1Fixing the Image1–13Note completion, True / False / Not GivenInventions, History, Arts & Culture901
2Living at Full Throttle14–26Matching information, Multiple choice (choose more than one), Sentence completionAnimals, Science918
3Rethinking Food Waste27–40Multiple choice, Yes / No / Not Given, Summary completion (word list)Environment, Food & Farming, Society869

How to use this practice test

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  • For gap-fill questions, keep to the word limit; an answer over the limit is marked wrong, as in the real exam.

All passages and questions on Sprechify are written by our own team in the official IELTS format. They are not taken from Cambridge IELTS books or any other published test. Band scores are estimates based on the conversion commonly used for practice tests.

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