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IELTS Academic Reading Practice Test 54

Part 1 · Read the text and answer questions 1–13

You should spend about 20 minutes on Questions 1–13, which are based on Reading Passage 1 below.

The Invisible Thread: A Short History of Radio

In the 1860s the Scottish physicist James Clerk Maxwell predicted that electrical and magnetic fields could travel together through space as a wave, moving at the speed of light. Two decades later the German physicist Heinrich Hertz produced such waves in his laboratory and detected them at a distance, demonstrating that Maxwell's mathematics was correct. At the time Hertz saw little practical use for his discovery, but other scientists immediately recognised that these invisible waves might one day carry messages where no wire existed.

The first person to turn that possibility into a business was the Italian inventor Guglielmo Marconi. Working initially in Italy and later in Britain, he gradually increased the range of his transmitting and receiving apparatus, and in 1896 he was granted a patent for a system of wireless telegraphy. His earliest transmitters sent only the pulses of Morse code, but by 1901 he had succeeded in receiving a faint signal sent across the Atlantic from Cornwall to Newfoundland. The achievement was disputed at the time, but Marconi's company continued to develop equipment for ship-to-shore communication, and wireless soon became an essential safety tool at sea.

The next challenge was to transmit voice and music rather than code. On 24 December 1906, the Canadian-born inventor Reginald Fessenden is often credited with making the first public broadcast of speech and music, although some historians question the details, using a high-frequency alternator to generate a continuous wave.

His transmission was heard by shipboard operators along the Atlantic coast, who were astonished to hear a human voice instead of the usual dots and dashes. Around the same time the American engineer Lee de Forest invented the audion, a vacuum tube that, once improved, could amplify weak signals, which made reliable voice transmission far easier and paved the way for broadcasting to large audiences.

Radio amateurs played a crucial role in the early development of broadcasting. In the years before and during the First World War, thousands of hobbyists built their own transmitters and receivers, experimenting with ranges and frequencies. After the war, as restrictions were lifted, many of these amateurs began transmitting regular programmes of music and talk. In the United States, the first commercially licensed station, KDKA in Pittsburgh, began broadcasting on 2 November 1920, with reports of the presidential election results. Within a few years similar stations appeared in Europe and elsewhere.

The 1920s saw the rapid growth of organised broadcasting. National networks were established to link stations together by telephone lines, allowing the same programme to be heard across large areas. In Britain, the British Broadcasting Company (later Corporation) was formed in 1922 as a monopoly broadcaster funded by a licence fee, while in the United States advertising-supported networks such as NBC and CBS emerged. Radio became a central part of daily life, offering news, drama, comedy, classical music and sports commentary to audiences who had never before experienced such entertainment at home.

The period from the late 1920s to the 1950s is often called the golden age of radio. In the United States, networks produced situation comedies, serial dramas, crime thrillers and variety shows, many of which later moved to television. In Britain, the BBC established a tradition of public service broadcasting with programmes that aimed to educate as well as entertain. The radio set became a focal point of the living room, and families gathered around it in the evening to listen to their favourite programmes. Advertisers quickly recognised the power of the medium, and sponsored shows became a defining feature of American broadcasting.

Radio's influence extended far beyond entertainment. During the Great Depression, it provided a cheap escape from hardship, and political leaders such as Franklin D. Roosevelt used it to speak directly to citizens in his 'fireside chats'. In the Second World War, radio was a vital source of news and propaganda, and broadcasts such as those by the BBC's French service helped sustain morale in occupied Europe. The portability and immediacy of radio made it the dominant mass medium of the mid-twentieth century, shaping public opinion and culture on a scale that earlier technologies could not match.

From the late 1940s, television gradually displaced radio as the main focus of family entertainment, but radio proved remarkably adaptable. The introduction of frequency modulation (FM) in the 1930s and 1940s, pioneered by Edwin Armstrong, offered much higher fidelity and resistance to interference, though it did not become widespread until the 1960s. The transistor, invented in 1947, made radios small enough to carry in a pocket, and the car radio turned the automobile into a mobile listening room. As a result, radio survived the television era by becoming a companion medium, consumed while doing other things.

More recently, digital technologies have further transformed radio. Satellite radio and internet streaming allow listeners to access thousands of stations from around the world, while podcasts offer on-demand spoken-word content that can be downloaded and heard at any time. Yet the fundamental appeal of radio remains: it is immediate, intimate and undemanding, a voice in the dark that can inform, entertain and connect people regardless of where they are. What began as a demonstration of invisible waves has become one of the most resilient media ever invented.

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Questions 1–6◎ Practise this set only

Complete the summary below. Choose ONE WORD AND/OR A NUMBER from the passage for each answer.

Write NO MORE THAN ONE WORD AND/OR A NUMBER for each answer.

The development of wireless communication

Maxwell's calculations indicated that electromagnetic waves would move through space as fast as , and Hertz later created such waves experimentally. Marconi turned the discovery into a commercial system of wireless , and in 1901 he claimed to have picked up a signal sent across the . Fessenden is often credited with the first broadcast of voice and music, made with a high-frequency , while de Forest's audion, a type of tube, eventually made voice transmission far more reliable. KDKA, the first commercially licensed station, went on air in .

Questions 7–13◎ Practise this set only

Do the following statements agree with the information given in Reading Passage 1? Choose TRUE if the statement agrees with the information, FALSE if the statement contradicts the information, or NOT GIVEN if there is no information on this.

Hertz believed his discovery would have important practical applications.
Marconi's claim to have received a transatlantic signal was accepted by everyone at the time.
Fessenden's 1906 broadcast was heard by operators on ships.
Radio amateurs were banned from transmitting after the First World War.
In the 1920s the BBC had more listeners than any other broadcaster in Europe.
Radio was used to boost morale during the Second World War.
The transistor allowed radios to become much smaller.

About this reading test

A full IELTS Academic Reading practice test with 40 questions on three original passages: the history of radio, the ocean's global conveyor circulation, and the hidden costs of loyalty schemes. Includes a timer, band estimate and explanations.

PartPassageQuestionsQuestion typesTopicsWords
1The Invisible Thread: A Short History of Radio1–13Summary completion, True / False / Not GivenInventions, Technology, History868
2The Great Ocean Conveyor14–26Matching information, Multiple choice (choose more than one), Summary completionEarth & Geography, Environment, Science950
3Points of Persuasion: The Hidden Costs of Loyalty Schemes27–40Multiple choice, Yes / No / Not Given, Summary completion (word list)Business & Economics, Psychology899

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All passages and questions on Sprechify are written by our own team in the official IELTS format. They are not taken from Cambridge IELTS books or any other published test. Band scores are estimates based on the conversion commonly used for practice tests.

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