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IELTS Academic Reading Practice Test 60

Part 1 · Read the text and answer questions 1–13

You should spend about 20 minutes on Questions 1–13, which are based on Reading Passage 1 below.

The Silent Army of Mount Li

In the spring of 1974, several farmers were digging a well near the city of Xi'an, in the northwest Chinese province of Shaanxi, when their tools struck a hard underground deposit. The deposit turned out to be fragments of pottery and bronze weapons, and within months Chinese archaeologists had uncovered part of a vast subterranean army. The discovery was entirely accidental, yet it revealed one of the most remarkable monuments of the ancient world: thousands of life-sized clay soldiers, horses and chariots arranged in battle order to guard the tomb of China's first emperor.

That emperor was Qin Shi Huang, who united the warring Chinese states in 221 BC and died in 210 BC. Work on his mausoleum complex near Mount Li, about thirty kilometres east of modern Xi'an, had begun many years earlier, when he became king of the state of Qin at the age of thirteen, and it continued on a grand scale throughout his reign. The historian Sima Qian, writing more than a century later, described a tomb filled with models of palaces, rivers of mercury and numerous treasures, but his account says nothing about a terracotta army, which suggests that all memory of the clay soldiers had vanished after the emperor's death.

Ancient sources claim that around 700,000 workers were involved in building the mausoleum. The soldiers were not modelled as unique sculptures but manufactured in workshops by an early assembly-line system. Clay was pressed into moulds to produce standard legs, arms, torsos and heads, and these parts were joined while the clay was still wet. The joined bodies were then fired in large kilns, after which a layer of lacquer was applied as a smooth base for painting. The process allowed thousands of near-identical figures to be produced with speed.

Despite this standardised production, the army does not appear monotonous. The warriors stand roughly 1.8 metres tall, but they vary in rank, dress and expression. Most have their hair tied in a topknot, while some wear caps or helmets, and officers are distinguished by ribbons and more elaborate armour. Soldiers are shown as archers, cavalrymen, charioteers and armoured infantry. The faces, although formed from a limited number of mould types, were finished by hand, with different eyebrows, beards and facial shapes, giving each figure a slightly individual character.

The largest excavation, Pit 1, is a rectangular trench about 230 metres long that contains an estimated 6,000 soldiers and horses, together with wooden chariots that have long since decayed. Pit 2 holds a smaller but more varied force of cavalry, archers and infantry, while Pit 3 is thought to represent a command post, with high-ranking officers and a war chariot. A fourth pit was opened but left empty, perhaps because the emperor died before the entire complex was completed.

When new, the terracotta soldiers were not the grey figures seen by tourists today. They were covered in lacquer and painted in bright colours, including pink faces, black hair and colourful tunics. Unfortunately, the paint has proved extraordinarily fragile. When a painted figure is removed from the damp soil, the lacquer underneath the pigment dries and curls, and the paint flakes away, sometimes within minutes. Early excavations were unable to prevent this, and many figures therefore lost their original decoration. Some areas of the pits have been deliberately left unexcavated until better preservation techniques can be developed.

The soldiers were equipped with real bronze weapons rather than ceremonial copies. Tens of thousands of arrowheads, swords, spears and halberds have been found in the pits, and many blades remain sharp after more than two thousand years. This preservation was long attributed to a deliberate coating of chromium on the weapons, but recent analysis suggests that the protective layer may have formed naturally through the chemistry of the burial environment. Whatever the explanation, the weapons reveal advanced metalworking skills and a high degree of standardisation.

In 1980, a separate pit to the west of the main mound yielded two painted bronze chariots, each drawn by four bronze horses and about half life-size. These vehicles, designed for the emperor's journeys in the afterlife, are among the finest examples of ancient Chinese metalwork ever found. They also show that the terracotta soldiers were only one part of a much larger underground complex, most of which remains unexplored.

The Terracotta Army has transformed historians' understanding of the Qin state. The standardised components, the stamped or incised names found on some parts, and the careful organisation of the ranks all reflect the centralised control that allowed Qin to unify China and lay the foundations of its bureaucratic empire. The site was inscribed on the UNESCO World Heritage List in 1987 and now draws millions of visitors every year from around the world.

The emperor's burial chamber itself has never been opened, and no one knows for certain what it contains. Modern soil tests have found unusually high levels of mercury in the mound, which appears to support Sima Qian's description of rivers of mercury, but excavation of the tomb would be extremely hazardous and could destroy fragile materials. For the time being, therefore, the chamber remains sealed, while archaeologists continue to investigate the surrounding pits with ever more careful methods.

Tip: select any text in the passage to highlight it in one of four colours. Click a highlight to remove it.

Questions 1–7◎ Practise this set only

Do the following statements agree with the information given in Reading Passage 1? Choose TRUE if the statement agrees with the information, FALSE if the statement contradicts the information, or NOT GIVEN if there is no information on this.

The Terracotta Army was discovered by accident.
Construction of the emperor's tomb complex began before he became ruler of all China.
The clay soldiers were made as individual works of art rather than by using moulds.
The largest pit is thought to hold thousands of figures of soldiers and horses.
The original colours of the soldiers are still visible on most of the figures today.
Scientists have proved that a protective layer on the bronze weapons formed naturally.
The two bronze chariots found in 1980 are on display in the main museum in Xi'an.

Questions 8–13◎ Practise this set only

Complete the flow chart below. Choose ONE WORD ONLY from the passage for each answer.

Write ONE WORD ONLY for each answer.

The creation of a terracotta soldier

Clay was pressed into to form standard limbs and torsos.
Parts were joined while the clay was still .
Complete figures were fired in large .
A layer of was applied before colouring.
Faces were finished by to give individual features.
Finally, the figures were armed with real weapons made of .

About this reading test

A full IELTS Academic Reading practice test with 40 questions on three original passages: the Terracotta Army of China's first emperor, the development of solar cells, and the debate over regulating facial recognition. Includes a timer, band estimate and explanations.

PartPassageQuestionsQuestion typesTopicsWords
1The Silent Army of Mount Li1–13True / False / Not Given, Flow-chart completionArchaeology, History867
2From Sunlight to Electricity14–26Matching information, Multiple choice (choose more than one), Summary completionInventions, Science, Environment865
3Facial Recognition: The Case for Rules27–40Multiple choice, Yes / No / Not Given, Matching sentence endingsTechnology, Society936

How to use this practice test

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All passages and questions on Sprechify are written by our own team in the official IELTS format. They are not taken from Cambridge IELTS books or any other published test. Band scores are estimates based on the conversion commonly used for practice tests.

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